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June 16, 2019
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But goes on being itself * * * True Love in cinema is more than fine acting, well-written scripts, or even directorial tone. Not that IMDb cast and crew should[…]
What interests me (and I suspect, Assayas) is not so much the substance of these dinner table debates, which tend to move in predictable repeating circles, as their texture. People[…]
The movie’s reviews were mixed, and it failed to make a profit in the summer of 1975. . . . but Night Moves has gone on to be recognised as[…]
Drama · Music & Musicals · War
Suddenly jazz became a major taboo in Soviet society until Stalin’s death. In Western Europe, by contrast, mainly in Paris, jazz took off after the Nazis’ defeat in the hues[…]
Actors & Personalities · Commentary · Silents
Those who affect a superior attitude toward a great artist such as Lillian Gish are not only ignorant of our cultural heritage but stubbornly unaware that art usually comes from[…]
Why hasn’t there been a biopic of John DeLorean, whose life, as his son Zachary says in the documentary Framing John DeLorean, has all the elements for a rip-snorter: “It’s[…]
“Lucky Grandma,” says Claire Baiz in her fifth Tribeca dispatch, “features richly layered characters in director Sasie Sealy’s homage to Chinatown that make this universal tale both reassuring and groundbreaking.”[…]
We’ve reposted this piece before because, really, can there ever be enough Doris? Now that she’s passed away at 97 – despite our fervent hope that she’d be the one[…]
In her fourth report from the Tribeca Film Festival, Claire Baiz looks at first-time feature director Matt Ratner’s intriguing family drama Standing Up, Falling Down, which, as a thoughtful film[…]
African American · Documentaries · Sports
Muhammad Ali was one of the great cultural figures of the 20th century, and of course, one of its most brilliant and inspiring sports figures, equally adept in the ring[…]
Activist & Political · Documentaries
Herewith (we love that word) is our second dispatch from the 2019 Tribeca Film Festival, brought to you by our correspondent Claire Baiz, who will be filing dispatches on some[…]
Documentaries · Festivals & Awards · Sound & Language
Herewith we begin our coverage of the 2019 Tribeca Film Festival, courtesy of our intrepid reporter Claire Baiz, who will be filing dispatches on some of the more worthy entries[…]
Composers · Historical & Epic · Reviews · Silents
This is an updated and revised version of Gordon Thomas’s article first posted in Bright Lights in May 2006, reposted to celebrate Easter. * * * Bigger is better this[…]
LGBT & Queer · Music & Musicals
Les Chansons d’amour is unusual because of the realism of its characters, setting and story; the film has little dance and no big production numbers, but it is a musical.[…]
Actors & Personalities · Comedy · Pre-Code
“With his impish grin, twinkling eyes, and boyish blond hair, he looks like Tom Sawyer crossed with a Tammany Hall fixer.”
“The root of oppression is loss of memory.” – Paula Gunn Allen1 * * * The end of the world is a mansion in the middle of the desert. A[…]
Planes, Trains and Automobiles teaches the other comedies of errors that an error in character is much more significant than an error in judgment. And much more redeemable. * *[…]
Drama · Historical & Epic · Women in Film
These women want their words to be heard. They want their will to be known. They want to be able to change their minds. And they want the full mind-body[…]
Altman admitted never finishing the novel and saw no need to remain faithful to it. For that reason, the movie wasn’t well received by Chandler fans. Most didn’t appreciate the[…]
Historical & Epic · Religion & Spirituality
Risen is the product of a sub-industry whose primary source of success is in providing pious pablum for a complacent and undiscriminating Christian market (although, to be fair, this market[…]
Genres · Horror · Producers & Studios
Producer Val Lewton died on this day (March 14) in 1951, age 46. We honor this visionary talent by reposting this profile of Lewton by frequent BLFJ contributor Mark Vieira,[…]
Literature and Film · Writers & Critics
The most substantial changes in Nightmare Alley are between the novel and the screenplay. For example, in the novel, Stan, who covets Zeena and her act, kills the alcoholic Pete[…]
Even the languid pace Cuarón uses throughout the film seems to want to elevate the (feminine and domestic) virtue of soul-nurturing stillness over the (masculine) trait of destructive freneticism. Some[…]
