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Hollywood was just beyond the horizon for the émigrés. There is no doubt that Curtis Bernhardt, Robert Siodmak, and Max Ophüls thought they would settle down in Paris and become[…]
What sneaker cinema is amounts to the sport shoe’s role in adding narrative or stylistic significance to a film’s mise-en-scene, themes, characters, or plot lines. And to be clear: ruby[…]
Actors & Personalities · Music & Musicals
“The reason I sought out Betty Garrett’s book in the first place was because of something devastating that I read – and didn’t want to be true – in Farley[…]
Drama · Horror · SF & Fantasy
Given the fact that sex and violence are alleged to be as normalized in our culture as wind blowing through the trees, in Bird Box, Malorie’s shock even appears prudish[…]
Roma is the latest edition in what can be considered Cuarón’s prenatal trilogy, preceded by Children of Men (2006) and Gravity. This is a director obsessed with matters of pregnancy,[…]
Downsizing is a dystopic satire on American values that has an unsurprising and credible core involving a sick and impoverished underclass. It is credible because the USA is alone among[…]
Actors & Personalities · Documentaries
As Robert Clift states in the film: “The people in my life who loved Monty lost him twice: in his death, and then again when they couldn’t find him in[…]
Considering Mitchum’s background, it’s forgivable to conflate his cinematic existentialist tough guys with his mythic, often dubious, real-life history. Some things are certain, though: Mitchum lost his father early, crushed[…]
Animation · Animators · Experimental & Underground · Religion & Spirituality
In her two longest works of animation – Sita Sings the Blues (2008) and Seder Masochism (2018, currently on the festival circuit) – Nina Paley turns her sharp wit and[…]
Designers · Horror · Interviews
“We need guilt, Doctor. And shame.” * * * Luca Guadagnino follows up 2016’s A Bigger Splash and 2017’s Call Me by Your Name with 2018’s Suspiria, a remake of[…]
From volatile sibling relationships to House of Atreus–style depravity, traditional ideas about family were upended and replaced with a contemporary look at the complex, ever-expanding definition of the ties that[…]
In Sparrow, this sense of melancholia manifests as an abstract nostalgia for the architecture and cultural values of an old Hong Kong that is rapidly disappearing and being replaced by[…]
This brief essay will seek to answer the distinctions between mimetic and diegetic elements in a filmic text, isolate the voice-over as a unique event located between the strict division[…]
“All the things we should’ve said that I never said/ All the things we should’ve done that we never did/ All the things we should’ve given but I didn’t/ Oh,[…]
Snow White’s frailty isn’t her weakness or her fault. Disney saw the child in her, and loved it well enough to accentuate and nurture it. Today, we present children with[…]
Horror · Women in Film · Writers & Critics
Despite the fact that Wray had no previous screen credits, Lewton hired her to rework the story of I Walked with a Zombie with only two months to go before[…]
“The aesthetic features of post-horror replicate the mixture of shame, confusion, shock, and anxiety about the future experienced by liberal Americans in the midst of the Tea Party and Trump’s[…]
The characters’ fates are determined more by chance than by anything else, so pursuing justice in Unforgiven is about as futile as fighting an organized battle in Good Bad Ugly.[…]
“There’s something that happened, and there’s a kind of ring around that event – or it’s fenced off – and everything else is okay around it, but there’s just something[…]
Actors & Personalities · Artists
Editor’s Note: Richard Pryor died on this date, December 10, 2005, nine days shy of his sixty-fifth birthday. We salute this comic genius and cultural game-changer by reposting Julian Upton’s[…]
It’s OK with Me: Hollywood, the 1970s, and the Return of the Private Eye, by Jason Bailey. $11.99, 78 pp. CreateSpace Independent Publishing Platform, 2018. Across individual analysis of about[…]
Directors · Documentaries · Essays
I think that this delicate line between reality, and fact, and truth needs to be more clearly defined. We have to redefine reality.1 – Werner Herzog There are dignified stupidities.[…]
We worked to create a “slow film” aesthetic, with distinct moments where it broke from the rules. Paul planned to use boredom and duration as the method, with longer takes,[…]
Comedy · Counterculture · Drama
Everyone in Shampoo is id driven, with the audience taking voyeuristic pleasure at the absence of any self-awareness. George is inarticulate and largely passive, more preyed upon than preying with[…]
