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Mia: It feels really nostalgic to me. Sebastian: That’s the point. Mia: Are people going to like it? Sebastian: Fuck ’em. – La La Land * * * The popular[…]
Even more than in The River, with The Deserted we are sensually implicated in the small gestures of rest and relief, saving graces in this abandoned world. When Lee later[…]
Costume Drama · Literature and Film
The otherwise remarkably faithful adaptation, however, makes an incongruent turn when Scorsese reverses Wharton’s color casting of the two female protagonists by portraying Ellen Olenska and May Welland as blonde[…]
Activist & Political · African American · Counterculture
The stealthy campaign of subterfuge undertaken by Stallworth is only one possible stance of resistance. And in adopting such a form of civil disobedience, Stallworth aligns himself with a cultural[…]
Absurdism · Activist & Political · Philosophy
The film’s most problematic allegorical turn, however, is its subsequent and wholesale appropriation of Palestinian trauma. Despite the slaughter of four innocent Palestinians – by accident or not – Maoz[…]
Uncharacteristically, The Martian and Arrival do not present us with a problematic dystopian future with which to grapple; a future in which everything has always already gone wrong. Instead, they[…]
Look Back in Anger (Tony Richardson, 1959); The Entertainer (Tony Richardson, 1960); Saturday Night and Sunday Morning (Karel Reisz, 1960); A Taste of Honey (Tony Richardson, 1961); The Loneliness of[…]
Something hereditary is passed down to posterity, all without their foreknowledge or approval; an unborn child has no say in what color eyes it will have, what its allergies may[…]
Living disillusioned in a post-Brexit Instagram-filtered age, standing at the periphery of the job market in a state of horror as the surplus of impressive graduates wander by, it is[…]
Franchises & Series · SF & Fantasy
We could call Episode I the first of the modern “digital epics.” It is perhaps the single most influential film on today’s Hollywood, the film that introduced the concept of[…]
Filmmakers like Argento have no interest in sex per se. Suffering seems inessential, but terror and death are key, photographed with the same clinical absorption and aesthetic gloss as giallo-maestros[…]
Franchises & Series · Thrillers & Action
Fallout is basically about Ethan holding on, not just to elevators, helicopters, or sliding rocks, but to immortality and the ridiculous notion of the perfect man. He is fast, strong,[…]
Movie Vacations · Music & Musicals
An Altman theme park does, in fact, exist. Sweethaven, the set of Altman’s 1980 musical Popeye, lives on in Mellieħa, a village on the island of Malta, where Harry Nilsson’s[…]
Andrew Stone and his fantastically helpful wife-editor have evolved an entirely different ethos of film-making.… If they want to blow up a train, they blow up a real train. If[…]
The middle-aged theater owner who preferred a discreet lifestyle suddenly found himself in the media spotlight only ten days after the Black Dahlia’s murder. Someone had gathered Elizabeth Short’s personal[…]
Franchises & Series · Thrillers & Action
As the years have gone by, the heroes have become less McClane-like and become, again, Ramboesque demigods. This goes for McClane, too. In the first Die Hard film, he looks[…]
Activist & Political · Documentaries · Medical
We’re reposting this review of The Bleeding Edge today, July 27, as it debuts on Netflix. See this important documentary. * * * This is the kind of cogent, well-researched exposé[…]
Franchises & Series · SF & Fantasy · Superheroes
So how does Disney repeatedly peddle the same action film while also making this story acceptable to the media as a progressive identity narrative for the little guy? How does[…]
Reed manages to reduce a sprawling, complex story into an engaging, if tentacled, 98-minute political thriller, focusing on Montana’s fight against dark money at the US Supreme Court, in the[…]
Film Technology & History · Historical & Epic
Through its complex use of multiple depth planes, deep-focus compositions, close proximity with on-screen texture, Pompeii crafts a vision of an ancient culture that can be described as hyper-haptic; in[…]
Comedy · Directors · Women in Film
American Audiences watched Irma la Douce without discomfort, perhaps because French prostitutes and pimps were performing immoral acts and misdeeds. The same subversion of middle-class values that would later inform[…]
Franchises & Series · SF & Fantasy
Jurassic Park, in all its dark consumeristic negatives and heartless colonial instincts, exists in the real world as a film in the same way that the park exists in the[…]
